Overview

Research summary

This longitudinal research project, funded by the Leverhulme Trust, aims to understand the nature and scope of early intervention programmes targeted at young people at risk of not being in education, employment or training (NEET).

It will provide the first comprehensive national picture of early intervention provision focusing specifically on the typology of intervention, target groups and prediction tools used to identify young people at risk.

Both short and longer-term outcomes for young people will be recorded to explore the factors that make particular interventions effective. Additionally, it will foreground the voices of young people accessing provision using a longitudinal ethnographic approach. This will provide an understanding of how their experiences of early interventions connect with previous experiences of school, education and the labour market.

Methods 

This is a three-stage mixed methods research project comprising of three phases:

  • Mapping
  • School-based data collection phase
  • Post-16 data collection

Data will be generated with research participants in six social sites of investigation across England using an ethnographic approach. This will involve semi-structured interviews with young people, observations and extensive field notes. The views of key stakeholders will be gathered through semi-structured interviews.

Outcomes

We’ll share findings and updates on this page, in our newsletter, and at an international conference in 2026. We’ll also publish journal articles and a monograph.

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Image competition

We invited young people with experience of being NEET to depict how it felt in images. A prize for the competition was provided by Oxford Ethnography and Education

The two paintings by the winning artist, aged 18, illustrate how she felt while NEET. She shared how her perspective has changed since attending a support programme.

The competition winner said: “It’s a tough piece. I have a love/hate relationship with it because I like it, but I hate what it is. It’s like it’s messy on purpose, everything was a mess. It’s a bit muddy on purpose, because, you know, I don’t really know what I’m doing, and no one really did. Everything was tough. I don’t know, there’s just so much like weighing me down and holding me back from actually trying things.”

A messy, muddy abstract painting that depicts life being tough

“This is a happier piece,” continued the winner. “It’s a better piece. It’s me coming to terms with the fact that, you know, sometimes things wear you down. You know, she’s still chained down, she’s still suffering, but she’s, you know, she’s embracing it a bit more. Even though there’s still, you know, that darkness, or that sadness, and whatever, she’s still striving to do better and be a better person.” 

A watercolour painting showing a ballerina with abstract elements to depict suffering

Annual project reports

Research evidence

The project team contributed evidence to pages 48-55 of the All-Party Parliamentary Group for Youth Employment Report.

Funders