Why do I teach?

I developed a strong interest in politics from a very young age, instinctively questioned everything and loved learning, within formal education and outside of it. I am passionate about the importance of higher education and after twenty-five years teaching at MMU, I remain as excited and enthusiastic about delivering lectures and engaging with students in classes as the day I first started. I feel enormously privileged to have had the opportunity to work with students of all ages, from a wide variety of backgrounds and from all over the world. Between 2002 and 2004, I organised classes on politics and citizenship for the prison service and found that to be hugely rewarding. Seeing students progress, enjoying their studies and proceeding to meaningful and valuable employment is the most satisfying aspect of teaching in higher education. I am especially passionate about enhancing the student experience and am involved in an array of extra-curricular activities. For the last six years, I have organised the HPP Department’s annual study trip to Berlin. I love teaching at MMU, which has such a rich history of academic, technical, vocational and arts education. 

How I’ll teach you

I specialise in modern British political history and am unit leader/lecturer on a wide variety of units (listed below under undegraduate teaching). I will teach you for these units by way of lectures, seminars/worshops and individual tutorials.    

Why study…

Studying Politics at Manchester Metropolitan University allows students to experience excellent teaching by passionate lecturers who all have a strong and active research presence and are experts in their fields. We offer students a wide range of optional units informed by the very latest research. My teaching is informed by my publications on Labour politics and the politicisation of popular music and it is a privilege to be able to share my research with my students and be responsive to their ideas on the subject. Politics staff work closely with key local and national organisations, for example, I have been a director of one of the UK’s leading pressure groups and have been involved in the organisations’ national campaigning strategy. I am able to draw upon this experience in my teaching on extra-parliamentary politics. Our programmes also provide significant opportunities for work based learning and extra-curricular activities (I organise an annual study trip to Berlin, for example). Studying politics at MMU enables students to explore politics with a small ‘p’; that is the politics that affects our everyday life and make informed judgements as independent and freethinking citizens.

My recent book The Progressive Alliance and the Rise of Labour: Political Change in Industrial Britain, 1903-1922 (Palgrave Macmillan, 2018) provides a detailed analysis of the politics of the Progressive Alliance at the constituency level from its inception to collapse. My book provides a detailed account of the difficulties faced by the early Labour Party in its attempt to attain a foothold within the political landscape. This includes consideration of difficulties in the formulation of a distinctive policy programme, party organisation and electoral performance. The book provides a detailed account of the impact of the experience of war upon the political parties and the power of issues in transforming electoral alignment in Britain from 1918, particularly the significance of economic context in enabling the Labour Party to build and consolidate its electoral position. Prior to this, no single study had ever provided an exhaustive analysis of political change in Britain’s first industrial city between 1903 and 1923 and no study had ever examined, in detail, aspects of the political history of Stoke-on-Trent. 

My next book Shout! Popular Music and Protest Culture in 1980s Britain (to be published in Autumn 2022) examines the changing character of politics and society in Britain during the 1980s, paying particular attention to the dynamics of issues and ideology and the process by which political ideas were transmitted across wider society. It adopts a wide perspective in terms of what constitutes political campaigning and evaluates the interrelationship between political ideology and wider political culture, specifically popular music. The country that emerged at the end of the 1980s was almost unrecognisable from that of the beginning of the decade and represented one of the most polarised and turbulent periods in modern British history. Music responded to political change, documented it and left an invaluable record of reactions to it. My book explores two principal themes: First, how musicians were influential in focusing attention upon political, social and economic issues; how they mirrored the concerns of their audiences and how they contributed to motivating and mobilising opinion via their art form. Secondly, the book considers how an organised protest culture developed, and how musicians engaged in direct political activism, participated in a wide variety of campaigns and stood in solidarity with specific groups, the young, the unemployed, peace activists and human rights campaigners. Popular music provided a voice for those who desired a very different vision for Britain and for a generation growing up during the 1980s, provided much more than just a soundtrack to their youth; it became an integral part of their political identity. My book will demonstrate the role of popular music as a critical medium for a culture of protest.

At present, I am undertaking research for another publication: Class, Politics and Culture. Figurative Art and Theatre: The Regional Dimension, c1950-1990. This research involves a detailed study of the political and social significance of the work of professional artists and theatre in North Staffordshire, an area that saw the development of a particularly strong artistic culture. My research focuses upon a number of professional artists based in the region, community arts venues (youth theatres and factory-based theatres) and the documentary plays produced by the Victoria Theatre company. The Victoria Theatre became nationally renowned for a series of panoramic history plays and ‘living newspaper’ plays focused on working life and local labour disputes. Utilising techniques from journalism and documentary making, these plays presented a realistic portrayal of working class life. Produced and presented during a particularly turbulent era in British politics (the 1970s and 1980s), I believe these plays resonated powerfully with their audience. My research involves an extensive examination of artwork produced within the region alongside a detailed study of a theatre company as a working group within a local community. In addition to this, I am also embarking upon research focused upon political campaigning in Britain throughout the twentieth century. This will involve a detailed study of the visual aspect of election campaigns and political advertising.

In 2017, I was invited to complete the manuscript of Could The Versailles System Have Worked by the late Professor Howard Elcock. The book was published by Palgrave Macmillan in September 2018.