Dr Aidan Arrowsmith

My profile

Biography

I am Deputy Head of the Department of English. My research specialisms are in Irish literature and culture, 19th & 20th Century literature and drama and postcolonial writing and theory. I supervise dissertations and theses in these areas, and also teach a range of units at undergraduate level.

My research looks particularly at the ideas of identity that are constructed by Irish migrant communities, especially the scattered second generation. I focus on the way these identities are expressed in culture — in literature, drama, film, music, painting and photography. So, I interpret ‘culture’ very broadly and I have written about cultural events such as the spat between Roy Keane and Mick McCarthy at the 2002 football World Cup, which was partly about the right of McCarthy, a second-generation Irish Yorkshireman, to claim Irish identity. I have written for many leading academic journals, including Textual Practice and Irish University Review, and also for newspapers and magazines including The Guardian and The Observer. I am currently working on a project on performances of Irish identity in Manchester since 1900. 

I spend my spare time riding mountain bikes, waving cooking utensils around in the kitchen and obsessing over vintage selvage denim. For reasons beyond our control, myself and my two sons are obliged to support Wolverhampton Wanderers FC and we spend a lot of time, often being disappointed, at Molineux.

Words of wisdom

Studying a subject that you find interesting will make you a more interesting person! Good employers want candidates who are not only competent but who can also make a contribution - who are interesting and interested, who have ideas and opinions and who show a range of skills and abilities. English graduates are those people! English doesn’t equip you to do one particular kind of work; it equips you to do anything you want to! 

Academic and professional qualifications

As a student, I gained degrees from Queen Mary, University of London, University of Wolverhampton and Staffordshire University. Research for my Masters focussed on the playwright Brian Friel, and my PhD thesis analysed 20th Century literature of the Irish diaspora.

External examiner roles

In recent years, I have held External Examination appointments at National University of Ireland Maynooth; Edge Hill University; Canterbury Christchurch University, St. John’s College University of Oxford; Swansea University; Northumbria University. 

Editorial Board membership

Member of the Editorial Board of Irish Studies Review.

Membership of professional associations

British Association for Irish Studies

Teaching

Why do I teach?

The study of art and culture is about engaging with some of the great ideas that have shaped our world. I am inspired by the fact that my job is about helping people from a huge variety of different backgrounds to become original and critical thinkers, to be able to form opinions about the world around them and to articulate those opinions with confidence. What drives me is the thought that I am helping people to develop and use their voice in order to make their lives –and the world around us—better.

Subject areas

English

Research outputs

My research specialism lies in the field of Irish culture, especially the literature and cultures of diaspora; twentieth-century literature and drama, especially Irish and postcolonial; postcolonial and diaspora theory.

My research is on twentieth-century Irish culture, and focuses on the changing meaning of ‘Irishness’ globally during the twentieth century, especially in relation to migrant memory and identity. I am author of various articles in this field, which have appeared in publications including Textual Practice, Irish University Review, Irish Studies Review, The International Journal of Cultural Studies, and The Observer, and which have covered topics ranging from theatre to photography to association football. I am currently completing a book, ‘Fantasy Ireland: Cultural Memory and the Literature of Diaspora’, for Liverpool University Press, and am in the early stages of a project on performances of Irish identity in Manchester from 1900. I am a member of the editorial advisory board of ‘Irish Studies Review’, and edited a special issue of the journal, entitled ‘Irishness in Britain’. My interest in memory, migrancy and visual culture is reflected in current research into migrant photo-texts from a range of cultural contexts.